Audience member Jeevan (Himesh Patel) tries to take her home, but they are overtaken by the collapse of civilisation and begin their new life navigating the disaster together. The Swiss Family Robinson managed, and they were mostly kids! Yet contemporary post-apocalyptic scenarios are predominantly dystopian. Ultimately, Station Elevens critique of apocalyptic temporality as a self-referential narrative construct is particularly effective because the prophets fanatic apocalyptic fabrication is an attempt at making sense of history in the wake of an apocalypse that, as typical of the contemporary post-apocalyptic novel, failed to bring about the expected utopian renewal. As he puts it, if youre not plotting every moment to boil the carcass of the old order, then youre wasting your day (Coupland, [2010] 2011: 189). The Station Eleven soundtrack song accompanies a flashback sequence. There are any number of access points for a comparison of these two shows. Having established its The super flu it depicts may be deadly, but its also swift, running its course in a matter of days. London: Continuum. Station Eleven has been a best seller. The Traveling Symphony is a troupe of actors and musicians dedicated to keeping the remnants of art and humanity alive. Open Library of Humanities 4(2), The series creator explains why. And though I admire HBO Max for releasing a show about a fictional deadly pandemic in the middle of an actual pandemic (after the shows production was shut down for months by same), I was not interested in any kind of survival guide. Huntley, K 2014 Station Eleven: Booklist Review, August. Why in his life of frequent travel, had he never recognized the beauty of flight? Coupland, D (2010) 2011 Player One. Mandel self-reflexively plays with the determinism of the sense of an ending by deploying apocalyptic foreshadowing as a narrative device that connects the various sections. Are you supposed to be? It's that I don't think that period would last forever everywhere on earth. I in fact stole it shamelessly from Star Trek: Voyager. Open Library of Humanities, 4(2): 8, 123. Log In; Quinby, L 1994 Anti-Apocalypse: Exercises in Genealogical Criticism. It won several major awards, was an NPR Books Concierge pick, and it's just come out in paperback. Toronto: University of Toronto Press. Instead of examining all the light/dark political dynamics of rebuilding a post-catastrophe society, it concedes that capturing mass trauma is impossible and potentially unhelpful. Boston: Beacon. But you know, here I am in Philadelphia this afternoon. ", On what survives including a comic book treasured by several characters. ), entropy reigns. Miranda curtly rebukes Elizabeths apocalyptic belief that everything happens because it was supposed to happen by saying Id prefer not to think that Im following a script (Mandel, 2014: 106). "Virginia Lottery tickets are available for purchase here!" Secondly, the interruption of each story defers closure, and even the stories conclusions contain hints to the following narrative. The acknowledgment section explains Mandel took this statistic from Simon Parrys 2009 Daily Mail article Revealed: The Ghost Fleet of the Recession Anchored Just East of Singapore. Alter, A 2014 The World is Ending, and Readers Couldnt Be Happier: Station Eleven Joins Falls Crop of Dystopian Novels. Goldman, M 2005 Rewriting Apocalypse in Contemporary Canadian Fiction. Villainry arrives (via the most frightening performance Ive ever seen, from Daniel Zovatto as the stranger who insists on joining the Traveling Symphony otherwise your friends are going to start to disappear), along with the secret community known as the Museum of Civilisation. Thus, after a paragraph foreshadowing Mirandas divorce from Arthur and ensuing life a future that in Station Eleven is, literally, already written at the start of the novel, when we are informed of Arthurs many ex-wives (Mandel, 2014: 134) Mandel pauses to remind the readers that first theres this moment (Mandel, 2014: 107), a moment in which, in life unlike narratives, we take decisions that shape an unwritten future. Atwood, M 2004 Writing Oryx and Crake. (Not to worry, I slogged through.). Notice the singular civilization of the Museums name: it encapsulates the neoliberal dream of a unified globalised world in which all difference is erased under the global free market. These gaps keep spaces of possibility open in the novels structure, indicating Mitchells intention to debunk apocalyptic determinism and narrative foreshadowing. Season 1 Review: Station Eleven is brilliant television. On the recent popularity of post-apocalyptic fictionA suggestion that I hear quite often is that our interest in post-apocalyptic fiction is a natural expression of the anxiety we feel. Mandels list (2014: 312) of what is lost in the disaster is incomplete first and foremost because, in its elegiac harkening back, Station Eleven ignores present systemic problems, offering merely a few jabs at celebrity culture through Arthurs storyline, the dependence on technology see the iPhone zombies the joylessness of corporate work and the meaninglessness of corporate jargon (Mandel, 2014: 160, 1624, 2768). The first concerns the early days and years of the pandemic. The contemporary post-apocalyptic novel, instead, is not only predominantly dystopian but articulates temporalities critical of the apocalyptic model of history to make space for unwritten futures which are key to agency. Feb. 26A BIG QUESTION keeps popping up on Manchester community groups on Facebook: What happened to the 7-Eleven gas stations on South Main and Maple streets? Los Angeles, Whats on Khlo Kardashians face? HBO Maxs beguiling new mini-series is about a pandemic, but dont let that scare you off. I very purposely set much of the action 15 and then 20 years after that flu pandemic. Something that came up for me as I was writing this book was how incredibly local your world would become. Station Eleven, the HBO Max show whose finale airs Thursday, is something else entirely. They were shown maps and globes, the lines of the borders that the Internet had transcended (Mandel, 2014: 262). For me, its what Ive taken to calling the series present the scenes set around a flu pandemic that wipes out 99% of the worlds population that vibrate with acute emotional energy. They angered Him (Coupland, [2010] 2011: 134) although, it turns out, he is also motivated by a much more mundane reason: he wants to kill his father, who ran off with his wife. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors dreams of land and women, these men for whom the ocean was a grey-line horizon to be traversed in ships the size of overturned skyscrapers (Mandel, 2014: 255). 37. As time passes through the night the world starts to crumble. Princeton: Princeton University Press. The peculiarity of the novel is that all the stories with the exception of the sixth, the post-apocalyptic one, situated in the middle are interrupted in order to give way to the following one in a chronological order, and are then resumed in reverse order in the second half of the book. 20 years later it the Traveling Symphony, a group that travels and performs for people, roams the wastelands. Station Eleven 's premise is terribly current for the post-COVID world. Bernstein, M A 1994 Foregone Conclusions: Against Apocalyptic History. She has no expectation that anybody else will ever see her work. If you can stick with it, you will be rewarded. Drawing attention to the dystopian aspects of traditional apocalyptic discourse, contemporary post-apocalyptic novels suggest that its totalising historical teleology is a narrative construct which serves oppressive ideological agendas, for those who posit an end to history, no matter how utopian this end is, also conceive of themselves as the only rightful interpreters and agents of this telos. Immediately following the Second World War, there was a fashion show in Paris. If nothing else, its pleasant to consider the possibility. De Cristofaro, D 2013 The Representational Impasse of Post-Apocalyptic Fiction: The Pesthouse by Jim Crace. DOI: http://doi.org/10.1080/00111619.2017.1369386. Bearing the unmistakable mark of The Leftovers, the masterful apocalyptic fiction on which Somerville cut his teeth, these installments felt alive to me in a way the others never did. Station Eleven manages to find something different: beauty and meaning, most of it wrapped up in the pandemic's survivors, our main characters, and the way they manage to connect to others and find some joy even in a grim time and place. Goes Out newsletter, with the week's best events, to help you explore and experience our city. She had ample experience to draw from. (2018) Critical Temporalities: Station Eleven and the Contemporary Post-Apocalyptic Novel, In the new miniseries "Station Eleven," it's two decades after a deadly flu pandemic, and global civilization has nearly collapsed. I read Emily St John Mandels bestselling Station Eleven shortly after it came out in 2014, when the tale of a mysterious flu sweeping the globe and laying waste to normal life lay wholly beyond the bounds of reality. Station Elevens plot itself consists of fragments from before and after the apocalypse, which challenges the teleological linearity of apocalyptic temporality. She is the author of the Hollywood mysteries Oscar Season and The Starlet. She lives in La Crescenta with her husband, three children and two dogs. Ermarth, E D 1992 Sequel to History: Postmodernism and the Crisis of Representational Time. Charles, R 2014 Sorry, Emily St. John Mandel: Resistance is Futile. Here in the present, we play we play musical instruments at refugee camps. There are holes in the story, but that didnt bother me because Station Eleven felt almost immediately like an antidote to every other post-apocalyptic tale I have ever seen. Similarly, Bertis, a fanatic sniper in Player Ones peak oil post-apocalyptic scenario, believes that the pre-apocalyptic world is dying and corrupt and about to be renewed through divine intervention (Coupland, [2010] 2011: 129). I was very deliberate in the timing of the narrative: its set mostly fifteen and twenty years after the collapse, not during or in the immediate aftermath (Mandel, 2015: n.pag.). Yet, significantly, [T]he road seemed dangerous. The chaos of historical contingency chaos which is even more evident and dreadful at times of crisis, such as that of the devastating Georgia Flu is tamed through the recourse to apocalyptic determinism, namely, to the belief that everything happens for a reason, as the prophets mother repeats throughout the novel. Get our L.A. The generation gap between those born before and after is gestured at but scarcely plumbed. Station Eleven has been a best seller. On what she'd want to save in an apocalypse. Are you ever surprised? You know, I think I'd want to save a globe. I confess I came to Station Eleven reluctantly. Last year, as we all scrambled to create some sort of context for the COVID-19 pandemic, Mandel got all sorts of what does it feel to have predicted the future? questions, which seemed very unfair. Yes, an episode that aired in 1999. Heres what to know, From Chris Rock to the SAG Awards. Why Netflix is dabbling in livestreaming, Stranger Things play that may hold key to the end taking 1959 Hawkins to West End, NBCs Chicago series have strong showings but CBS wins weekly TV ratings race, Before and after photos from space show storms effect on California reservoirs, Dramatic before and after photos from space show epic snow blanketing SoCal mountains, The chance of a lifetime: Five friends ski the tallest mountain in Los Angeles, Best coffee city in the world? Furthermore, teleology entails determinism, which compromises the possibility of choices and ethics. By the same token, Station Elevens prophet terrorises the population of the region, assembles a cult, and gains power thanks to a combination of charisma, violence, and cherry-picked verses from the Book of Revelation (Mandel, 2014: 280), where cherry-picked underlines the constructedness of Tylers prophecy. WebStation Eleven is an American post-apocalyptic dystopian fiction miniseries created by Patrick Somerville based on the 2014 novel of the same name by Emily St. John Mandel.The miniseries premiered on HBO Max on December 16, 2021, and ran for ten episodes until January 13, 2022.. Minneapolis: University of Minnesota Press. Brennan: Look, Im not calling Station Eleven a failure, or a disaster, or even a half-assed genre entry. Now the television adaptation by Patrick Somerville (known for Maniac and The Leftovers) for HBO, streaming in the UK on Starzplay, is here and resonating. Station Eleven. The theory that I found the most interesting was suggested to me by a bookseller in England last year: she thought perhaps our interest in these futuristic narratives had to do with the fact that there are no more frontiers. Ricoeur, P 1984 Time and Narrative, 1. In this podcast, PSR Versus podcast hosts Josh Wigler ( @roundhoward) and LaTonya Starks ( @lkstarks) compare episode 7 of The Last of Us and Station Eleven. I even caught myself asking a blasphemous question: If art were truly capable of saving us, wouldnt we already have been saved? It is in the context of what Heather J. Hicks, in her study of the twenty-first-century post-apocalyptic novel, discusses as an unprecedented outpouring of fully developed post-apocalyptic narratives by major, critically acclaimed anglophone [sic] writers (2016: 56) that my article situates Station Eleven. In this sense, it is interesting to note that, just like another winner of the Arthur C. Clarke Award for science fiction, Margaret Atwood (, On the essentially temporal nature of traditional apocalyptic logic see also Kermode (, See also the prototype of the Western concept that history has an intelligible and end-determined order, whether fideistic or naturalistic, is the scheme of the course of earthly affairs from genesis to apocalypse which is underwritten by a sacred text (, Indeed, it is my contention that, in its critique of the apocalyptic understanding of history, the contemporary post-apocalyptic novel addresses aspects of Western modernity that transcend national borders, which in any case become irrelevant after the catastrophes depicted by the texts. What I was really interested and writing about was what's the new culture and the new world that begins to emerge? Learn exactly what happened in this chapter, scene, or section of Station Eleven and what it means. It began to read to me as a tacit acknowledgement that its vision of the future is not as immersive as its vision of the present or past. But series creator Patrick Somerville had her blessing to change it. We begin, really, to care, to wonder, to ask more questions. Even in 2014, I was sceptical that there would be such an appetite. Whats on the other side? By opening with the apocalyptic end that is foreshadowed by these sentences, Station Eleven highlights not only how the temporal order of the sense of an ending can be imposed on the randomness of time solely retrospectively, but also how this order ultimately implies a future that is already written. Keller, C 1996 Apocalypse Now and Then: A Feminist Guide to the End of the World. In addition to the texts discussed in my article, other examples of this growing body of twenty-first-century writings include: Louise Erdrichs, Despite the genre turn, Hoberek points out a persistent prejudice against genre fiction central to what Mark McGurl has dubbed the program era of post-World War II fiction (2011: 484). WebThe most problematic texts involve passages that are not directly from the Koran but rather contain the Saudi government’s particular interpretation of Koranic and other Last year, as we all scrambled to create some sort of context for the COVID-19 pandemic, Mandel got all sorts of what does it feel to have predicted the future? questions, which seemed very unfair. "No countries, no internet, no more Facebook, no more email. London: Picador. We were saved because we are the light. Available at: https://www.reddit.com/r/books/comments/38e15y/hi_im_emily_st_john_mandel_author_of_station/ [Last accessed 24 October 2018]. How Station Eleven pulled off the impossible, Original reporting and incisive analysis, direct from the Guardian every morning. Matt Brennan is a Los Angeles Times deputy editor for entertainment and arts. And I think it would be very easy to lose perspective and think that this was the entire world. Im calling it a partial masterpiece! This utopian narrative about the pre-apocalyptic past obscures the material labour that props up the hyper-connected globalised world and the inequalities between the global North and South that lie beneath its seemingly seamless unity. In order to have a good story, there needs to be emotion or entertainment. Published in 2014 to critical and popular success, Emily St. John Mandels Station Eleven is part of a widely-discussed, growing corpus of post-apocalyptic novels written by authors who do not typically write science fiction.1 In what Andrew Hoberek (2011) identifies as the genre turn of contemporary fiction, the post-apocalyptic genre has moved from the margins (tacky science-fiction) into the mainstream (legitimate, widely-recognized and practiced speculative fiction) (Buell 2013: 9), so much so that Frederick Buell frames it as a cultural dominant.2 As Andrew Tate puts it, contemporary narrative is haunted by dreams of a future that is a place of ruin (2017: 2). Indeed, the passages beautiful writing and imagery sublimates and glosses over a production process that relies on the exploitation of cheap labour from the global South, something Mandel merely hints at through the mention of workers somewhere in China and the cadences of a half dozen languages. | Privacy Policy |, Publication Ethics and Malpractice Statement, http://www.nytimes.com/2014/09/06/books/station-eleven-joins-falls-crop-of-dystopian-novels.html, http://www.theglobeandmail.com/arts/books-and-media/book-reviews/station-eleven-offers-suspense-and-science-fiction-but-it-is-undoubtedly-a-literary-work/article20577909/, https://www.washingtonpost.com/news/arts-and-entertainment/wp/2014/10/15/sorry-emily-st-john-mandel-resistance-is-futile/, http://doi.org/10.1080/00111619.2017.1369386, https://tetheredbyletters.com/when-the-dust-settles-an-interview-with-emily-st-john-mandel/, http://www.publicbooks.org/the-post-apocalyptic-present/, https://www.booklistonline.com/Station-Eleven-Emily-St-John-Mandel/pid=6862248, https://www.reddit.com/r/books/comments/38e15y/hi_im_emily_st_john_mandel_author_of_station/, http://www.tor.com/2014/09/12/a-conversation-with-emily-st-john-mandel/, Special Collection: Station Eleven and Twenty-First-Century Writing, For the sake of simplicity, in what follows contemporary post-apocalyptic novel refers to the subject of this article, post-apocalyptic fictions written by non-SF authors. If you can stick with it, you will be rewarded. We put on plays in warzones. At first, Station Eleven is bewildering, all discombobulating cuts between the present and what seems to be a desolate, sparsely populated future. 21:1), frames the apocalyptic origin of the distinction between the elect and the non-elect at the core of the cults credo when fervently claiming that the survivors names are recorded in the book of life (Mandel, 2014: 286). Just like McCarthys father and son, Jeevan and [A]lmost everyone was moving south in a silent landscape. Available at: https://www.clarkeaward.com/2015-winner/ [Last accessed 24 October 2018]. Station Elevens ending is key to the texts deconstruction of utopian teleology. One Fine Morning by Bill Callahan (00:51): Tyler concludes a conversation with Kirsten. He previously served as TV editor at Paste Magazine, and his writing has also appeared in Indiewire, Slate, Deadspin and numerous other publications. Hoberek, A 2011 Cormac McCarthy and the Aesthetics of Exhaustion. Station Eleven. Her previous novels were Last Night in Montreal, The Singers Gun, and The Lola Quartet. Station Eleven , the HBO Max show whose finale airs Thursday, is something else entirely. The final minutes of the Station Eleven finale reunite Kirsten (Mackenzie Davis) and Jeevan (Himesh Patel) after 19 years apart. Mackenzie Davis, left, with Caitlin FitzGerald in Station Eleven., Do Not Sell or Share My Personal Information, Meet the cinematographer whose controlled naturalism is changing the face of TV, Station Eleven made major changes from the book. By the same token, Kirsten collect[s] fragments of Arthurs life as told in gossip magazines because they are signifiers of her past, of which she has few and disconnected memories (Mandel, 2014: 40). WebStation Eleven contains many explicit references to other works of art, and relies on them heavily for source material. Download PDF. 2nd ed. But I also know that if any survivor owned a snowplow, he or she would use it because snowplowing is a calling and an art form in itself. Perhaps vessels are setting out even now, travelling towards or away from him, steered by sailors armed with maps and knowledge of the stars, driven by need or perhaps simply by curiosity: whatever became of the countries on the other side? As for the issue of whether or not art has saved us, there is no way of knowing, though it certainly has functioned, at the very least, like the COVID-19 vaccinations incapable of eradicating evil but allowing more people to survive it. Her previous novels were Last night in Montreal, the series creator Patrick Somerville had her blessing to change.... See her work key to the texts deconstruction of utopian teleology, but dont that. At refugee camps us, wouldnt we already have been saved, really, to care, to help explore! In his life of frequent travel, had he never recognized the beauty flight... 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An NPR Books Concierge pick, and relies on them heavily for source material impossible, Original and! For the post-COVID world yet, significantly, [ T ] he road seemed.. On what she 'd want to save a globe Sequel to History: Postmodernism and the.... Would become: a Feminist Guide to the End of the action 15 and then: a Feminist to! Question: if art were truly capable of saving us, wouldnt we have. And it 's that I do n't think that period would Last forever station eleven criticism on earth (... 1994 Foregone conclusions: Against apocalyptic History, with the week 's best events to. Eleven soundtrack song accompanies a flashback sequence Chris Rock to the following narrative transcended ( Mandel, 2014: )... In his life of frequent travel, had he never recognized the of...